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| The Puppet Master (Finished) | |
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Daedalus Jounin
Posts : 13 Join date : 2011-01-09
| Subject: The Puppet Master (Finished) Sun Jan 09, 2011 9:47 pm | |
| Basic Info/Weapons Name: Seiyuuki Uindo Nickname: Daedalus Age: Appears 26, presumed to be much older. Gender: Male Height: 6'5" Weight: 793 lbs Village: Shigakure no Sato Ninja Rank: Jounin Letter Rank: A Clan: Unknown Special Characteristics: Expertise Chakra Moulding. Element(s): Wind, Lightning. Skills/Specialties: Puppetry, Fuinjutsu Secondary Abilities: Inventor Appearance:Though he appears human, Daedalus is actually a living puppet. The painted skin and details are exquisite to the point where few, if anyone would ever notice. With white hair and piercing eyes he has quite the presence in a room. His eyes themselves are unique, having a black scelera, white iris, and blue pupil. Over top of his diamond hard body (literally, as it’s been cut and carved as you would a diamond) he wears a long cloak, often bearing the Shigakure symbol and colours. With his chest bare to facilitate combat, the only other article of clothing he wears is a pair of regular jounin slacks. As his feet too are carved from diamond and painted to look real, he often does not require shoes, feeling having been lost upon him years and years ago. Personality:Daedalus is a perfectionist, far beyond someone even worthy of the title. His entire life essence has been poured into works of art. This striving need bears an incredible anger along with it, a frustration with incompetence. The Puppet Master is and always will be practiced and cautious, although to the point where he is exceedingly confident. In his mind, he is no longer human, but a tool for which other great works of art may be created. Physical Stats:Speed: Jounin Stamina: Jounin Strength: Jounin Agility: Jounin Physical Endurance: Jounin Chakra Stats:Chakra Reserves: Jounin Chakra Control: Jounin Intelligence: Jounin
Last edited by Daedalus on Sun Jan 09, 2011 10:52 pm; edited 2 times in total | |
| | | Daedalus Jounin
Posts : 13 Join date : 2011-01-09
| Subject: Re: The Puppet Master (Finished) Sun Jan 09, 2011 9:47 pm | |
| Techniques - Spoiler:
Kugutsu no Jutsu [Puppetry Technique] Rank: C Kugutsu no Jutsu is a Ninjutsu technique that allows a ninja to use a puppet to attack from afar. Using their body's chakra, the ninja emits strings of chakra that run from their fingers to the puppet. The puppet itself can be loaded with many weapons and tools, allowing the puppet master to remain hidden while the puppet moves and attacks the target. Hitokugutsu [Human Puppet] Rank: None, Special trade Hitokugutsu is a Ninjutsu technique used by puppet master Seiyuuki. This technique allows Seiyuuki to make a puppet which can contain and use chakra. Seiyuuki does this by making a living human into a puppet. This puppet will maintain the same chakra its original body held when alive. If the original ninja was highly skilled, its puppet can retain these abilities as well. Even the ninja's unique body traits will be passed on to its puppet form. Thus Seiyuuki can still use all the original jutsu the ninja once utilized. Kuchiyose: Atogama no Jutsu [Summoning: Replacement Technique} Rank: C Atogama no Jutsu is a technique use in conjunction with Daedalus' puppetry, and more specifically himself. Having painted small seals in specific locations on his body Daedalus can activate a summoning technique by simply tapping one with a finger. This object summoning is unique, in the fact that it will first whisk away an object to make room for it's replacement. This technique is the key to Daedalus' combative style. As such, he's practiced this to the point where it merely takes a sliver of chakra, a small enough amount that it is replaced within seconds. Shishi Heikou [Lion Closing Roar] Rank: A Shishi Heikou is created by one of the ten Chikamatsu puppets. This seal prevents the one sealed from manipulating chakra. There are two methods for this seal. In the first, the puppet will expel a hazy orb from its mouth which can be thrown. While flying through the air, the orb will lose it's haze and grow in size to a huge gaping beast-like head. The large teeth can grab ahold of the person it hits and pin them to a wall. Once the it impacts the wall, it will immediately release the seal onto the surface. In the second form, the main puppet will expel the seal from its mouth onto a surface it is touching. Anything touching these surfaces cannot use chakra. (While he does not have the Chikamatsu collection, Daedalus has developed a part for himself which performs the same technique) Senju Soubu [Thousand Hands Manipulation Military Art] Rank: C Senju Soubu is a Ninjutsu technique used by puppet master Seiyuuki. Using his Ultimate Kazekage puppet, Seiyuuki will extend its multi-segmented arm. Each segment can expand to reveal a summoning seal, which summons a new arm. One arm is thus capable of summoning approximately six more arms, which can then summon even more arms. In total nearly one thousand arms will launch towards his opponent to overwhelm them. If he misses with a direct attack, the arms are also capable of releasing a poison mist. Kikou Junpuu [Light Shield Seal Mechanism] Rank: B Kikou Junpuu is a Ninjutsu technique used by puppet masters. This shield is created when chakra is emited in the form of a disk from panels which fan out from the puppet arms. This chakra can block many deadly attacks but some attacks, such as Satetsu can gum up the puppet joints and render the arms useless. Akutibe-Shon [Activation] Rank: - A style of puppetry developped by Seiyuuki, this set of techniques allows a greater manipulation of a puppet's body, similar to opening a celestial gate. - Akutibe-Shon no Jutsu: Dankai Hitotsu [Activation Technique: Stage One]
Rank: B Dankai Hitotsu is a puppetry technique developped by Seiyuuki. By forcefully pushing chakra along the strings, the control points on the puppet are made more efficient, allowing for greater control. This means the puppet can react and move all that much faster, it's normal movement being increased by nearly one hundred percent. Speed: +100%; Weapons: Same; Defense: Same;
- Akutibe-Shon no Jutsu: Dankai Futatsu [Activation Technique: Stage Two]
Rank: A Dankai Futatsu is a puppetry technique developped by Seiyuuki. By forcefully pushing chakra along the strings and into the puppet's inner workings, not only is control over the puppet increased by an additional two hundred percent, it's weapons work faster and more accurately, increasing their capabilities by another one hundred percent. Speed: +200% = +300%; Weapons: +100%; Defense: Same;
- Akutibe-Shon no Jutsu: Dankai Mittsu [Activation Technique: Stage Three]
Rank: S Dankai Mittsu is a puppetry technique developped by Seiyuuki. By forcefully pushing chakra along the strings, the user can overwhelm the puppet with chakra. This allows for a bonus off the original increases, the speed of the puppet increasing by three hundred percent on top of the existing three hundred, the weapons increase by two hundred on top of the original two hundred. Finally, the puppet's defensive power increases due to it's armor and exterior being enhanced with chakra. Speed: +300% = +600%; Weapons: +200% = +300%; Defense: +100%;
Last edited by Daedalus on Sun Jan 09, 2011 9:51 pm; edited 2 times in total | |
| | | Daedalus Jounin
Posts : 13 Join date : 2011-01-09
| Subject: Re: The Puppet Master (Finished) Sun Jan 09, 2011 9:47 pm | |
| Main Puppet (Hold onto your hats, she's big.) - Spoiler:
Daedalus (Himself) After deciding that he would transfer his consciousness into a puppet, Daedalus created possibly one of the greatest puppets in history. Not only does this puppet resemble Daedalus’ original self, it has the unique ability to swap out and change parts on the fly, adapting for almost every single situation. Weapons Though it does have a large list of interchangeable parts, the Daedalus puppet does have a section of itself that remains at all times, this being his chest/stomach area. This piece contains: Daedalus’ heart container; left breast. Sliding compartment, containing multiple summoning scrolls; right breast. Chakra generator/string spinner; stomach/intestines. The rest of his weapons are thus interchangeable, and will be listed here. - Jaw 1A; Senbon Machine Gun
Capable of firing multiple poisonous needles at an extremely quick rate. Has multiple seal symbols along the jaw line, each one corresponding to a different jaw part.
- Jaw 1B; Poison Launcher
Capable of not only firing poisonous gas bombs, but spraying out the poisonous gas as well. Has multiple seal symbols along the jaw line, each one corresponding to a different jaw part.
- Jaw 1C; Taser
Has two blades that flip down out of the jaw line resembling mandibles. The blades may then generate an electric current to stun a target. Has multiple seal symbols along the jaw line, each one corresponding to a different jaw part.
- Right Arm 2A; Fragmentation Launcher
Is capable of detaching in a projectile fashion, then firing off multiple canisters, which open to send senbon flying every which way. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Right Arm 2B; Shuriken Launcher
The forearm expands off the arm in two parts, then both parts spin around the center, firing off a high precision round of shuriken at a fast pace. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Right Arm 2C; Sawblade
The forearm opens to reveal a sawblade, which can then be wielded near the hand of the puppet. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Right Arm 2D; Cluster Cannon
The hand flips upwards from the wrist, revealing a large cannon. This cannon fires off a spiked ball, roughly the size of a softball. This ball will then open releasing a large number of smaller bombs, before igniting itself, creating a chain effect.
- Right Arm 2E; Taijutsu
A very powerful athletic arm covered in a very strong yet flexible material. The material itself conducts electrical signals allowing for faster control and stronger attacks. Has multiple seal symbols around the elbow, each one corresponding to a different arm part. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Right Arm 2F; Pneumatic System
Arm back by a pneumatic system for taijutsu. Though not as quick as the taijutsu arm, it delivers blows strong enough to shatter stone. Has multiple seal symbols around the elbow, each one corresponding to a different arm part. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Right Arm 2G; Wrecking Ball
Arm part designed to destroy. Panels fold down from the forearm revealing a chain and surrounding the hand. The arm then has a summoning system allowing it to add more chain links as the ball is thrown, as opposed to storing a limited amount in the arm itself. The solid steel ball weighs close to three hundred pounds. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Right Hand 2a; Water Jet
A nozzle extends from the palm. Initially this fires off a large knockback blast of water. The arm may then twist however, concentrating the stream to a point where it is strong enough to cut through rock. This piece is not compatible with Right Arm 2A and has only one seal symbol, corresponding to the other right hand part. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Right Hand 2b; Flamethrower
A nozzle extends from the palm. This fires a large burst of extremely hot fire, hot enough to melt rock. This piece is not compatible with Right Arm 2A and has only one seal symbol, corresponding to the other right hand part.
- Right Hand 2c; Lion's Roar
Hand part designed to facilitate a jutsu. The palm of the hand opens to drop out an orb, which is then caught by the fingers. When the orb is thrown it expands to form the head of a lion, it's teeth bared. When the lion connects with an object, it will pin it to the nearest surface and spread out a seal. This seal saps chakra, syphoning it away from and killing whatever is in contact with it in a matter of seconds. The technique is an exact replica of one of the ten chikamatsu puppet's abilities. By having altered a hand part for himself, Daedalus no longer needs to call on all ten puppets to use it. The hand part has multiple seals to corresponding parts on the back of the hand.
- Left Arm 3A; Summoning Hands
Appears to be a normal arm, but can open to reveal multiple summoning tags, six exactly. When used in conjunction with Senju Soubu, nearly a thousand arms can be generated very quickly to capture and crush a target. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Left Arm 3B; Kunai Launcher
The forearm expands off the arm in two parts, then both parts begin to spin around the center, firing off a high precision round of kunai at a fast pace. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Left Arm 3C; Spider Web Bomb
The hand flips up at the wrist, revealing a tube. Multiple balled up explosive tags are then fired out, spreading like a shotgun shell would, all attached back to the tube by thin strings. After the explosives have covered the desired area, the hand flips back down, tugging on the string and setting off the bombs before cutting the strings themselves, preparing to reload. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Left Arm 3D; Grappling Hook
Hand fires off and is attached to the arm by a long chain. Used to grab and bring in targets, or bring Daedalus closer to his opponent. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Left Arm 3E; Taijutsu
A very powerful athletic arm covered in a very strong yet flexible material. The material itself conducts electrical signals allowing for faster control and stronger attacks. Has multiple seal symbols around the elbow, each one corresponding to a different arm part. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Left Arm 3F; Pneumatic System
Arm back by a pneumatic system for taijutsu. Though not as quick as the taijutsu arm, it delivers blows strong enough to shatter stone. Has multiple seal symbols around the elbow, each one corresponding to a different arm part. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Left Arm 3G; Wrecking Ball
Arm part designed to destroy. Panels fold down from the forearm revealing a chain and surrounding the hand. The arm then has a summoning system allowing it to add more chain links as the ball is thrown, as opposed to storing a limited amount in the arm itself. The solid steel ball weighs close to three hundred pounds. Has multiple seal symbols around the elbow, each one corresponding to a different arm part.
- Left Hand 3a; Water Jet
A nozzle extends from the palm. Initially this fires off a large knockback blast of water. The arm may then twist however, concentrating the stream to a point where it is strong enough to cut through rock. This piece is not compatible with Left Arm Parts 3A and has only one seal symbol, corresponding to the other right hand part.
- Left Hand 3b; Flamethrower
A nozzle extends from the palm. This fires a large burst of extremely hot fire, hot enough to melt rock. This piece is not compatible with Left Arm Parts 3A and has only one seal symbol, corresponding to the other right hand part.
- Left Hand 3c; Lion's Roar
Hand part designed to facilitate a jutsu. The palm of the hand opens to drop out an orb, which is then caught by the fingers. When the orb is thrown it expands to form the head of a lion, it's teeth bared. When the lion connects with an object, it will pin it to the nearest surface and spread out a seal. This seal saps chakra, syphoning it away from and killing whatever is in contact with it in a matter of seconds. The technique is an exact replica of one of the ten chikamatsu puppet's abilities. By having altered a hand part for himself, Daedalus no longer needs to call on all ten puppets to use it. The hand part has multiple seals to corresponding parts on the back of the hand.
- Shoulder Blades 4A; Cables
Two spiked cable extend from the shoulder blades. These cables are strong enough to easily lift three to four hundred pounds each, and have a total reach of thirty meters. The seal symbol for this part is on Daedalus’ neck.
- Shoulder Blades 4B; Blade Wings
Two large poles each supporting a triple bladed wing like device extend from the shoulder blades. By spinning these devices, hovering can be achieved, as well as turning them forward to increase speed. Defensively they’re highly capable of deflecting attacks, and even more capable of dealing them out. The seal symbol for this part is on Daedalus’ neck.
- Back 5A; Mask of Despair
A large red mask with a gaping mouth resides on the back. From the mouth, a large scorpion “tongue” like tail can be extended. This weapon is heavily bladed, armored and poisoned. The eyes of the mask are closed, but if one looks into them after they open, they will be caught in a powerful genjutsu. The tongue may also be disconnected and wielded as a sword. The seal symbol for this part is on Daedalus’ solar plexus.
- Back 5B; Spider Legs 1 2 3 and 4
A back part with four large spider like legs extending from it, each one with a poison dipped blade for a tip. The seal symbol for this part is on Daedalus’ solar plexus.
- Back 5C; Pneumatic System
Backed by a pneumatic system, allows extremely heavy lifting. The seal symbol for this part is on Daedalus’ solar plexus.
- Back 5D; Pulverizer
A back part equipped with a fold out cannon. The cannon itself fires a 2 foot in diameter beam beveled cannonball. This cannonball weighs roughly 80 lbs, and can be fired at 120 mph (Not something you should try and catch). After the ball lands, it's bevels then open to fire out hooked blades attached back to the ball on strings. These strings allow the blades to reach a maximum distance of 60 feet and are made of fine kevlar wire. After anchoring itself for roughly five seconds, the string will pull back, hauling in whatever the hooked blades are attached to (a really good demolition tool as it creates a sense of implosion). Finally, after the hooks are retracted as far as possible, the projectile explodes with the force of 50 explosive tags, creating a radial blast of about twenty feet. Must be used with Leg Parts 8A for stability. The seal symbol for this part is on Daedalus’ solar plexus.
- Left Ribset 6A; Missile Launcher
The ribs open and expand outwards to reveal their points, these points then fire off and explode on contact. The sealing symbol for this part is just above the actual ribcage.
- Left Ribset 6B; Textile Crusher
The ribs expand outwards, forming a huge crushing like device with multiple spikes on it. The sealing symbol for this part is just above the actual ribcage.
- Right Ribset 7A; Missile Launcher
The ribs open and expand outwards to reveal their points, these points then fire off and explode on contact. The sealing symbol for this part is just above the actual ribcage.
- Right Ribset 7B; Textile Crusher
The ribs expand outwards, forming a huge crushing like device with multiple spikes on it. The sealing symbol for this part is just above the actual ribcage.
- Legs 8A; Spider Legs 5 6 7 and 8
A leg part that interchanges at the hips. This replaces Daedalus' standard humanoid legs with four spider legs, each with a powerful pneumatic crusher for well, crushing things. The seal symbol for this part is just below Daedalus' naval.
- Legs 8B; Taijutsu
Thin athletic legs covered in a very strong yet flexible material. The material itself conducts electrical signals allowing for faster control and stronger attacks. The seal symbol for this part is just below Daedalus' naval.
- Legs 8C; Pneumatic System
Backed by a pneumatic system, these legs are designed for taijutsu. Though not as quick as the taijutsu legs, they are capable of deliver rock shattering blows and can leap extremely high. The seal symbol for this part is just below Daedalus' naval.
- Right Eye 9A; Scope
Mechanic Scope, can zoom for clear sight up to three miles away.
- Left Eye 10A; Scope
Mechanic Scope, can zoom for clear sight up to three miles away.
- Cranium 11A; Detection
A specifically designed part that allows for multiple types of detection. Generally, this functions by sending out sound waves and radio waves. When either of these bounce back to Daedalus' position, it allows him to virtually see whatever the waves are bouncing off of. This gives him a perfect three hundred and sixty degree range of vision, however the vision of the waves is limited, as the radio waves will bounce off anything metallic, he cannot see beyond anything metal with them. the sound waves likewise bounce from all surfaces. Using both simultaneously however, will give Daedalus a three hundred and sixty degree x-ray capability, which extends to the nearest solid objects within that field of vision. The seal for this part is on Daedalus' forehead.
Last edited by Daedalus on Sun Jan 09, 2011 10:09 pm; edited 3 times in total | |
| | | Daedalus Jounin
Posts : 13 Join date : 2011-01-09
| Subject: Re: The Puppet Master (Finished) Sun Jan 09, 2011 9:47 pm | |
| History:
The Genin Arc
Seiyuuki Uindo spent most of his life, if not nearly all of it, within the Volcano Country. Being the son of two extremely well off parents, his training and acceptance as a Gennin went very smoothly, and although he was talented, not much placed him above the rest of the nin. This developed an inner most greed for power, and although it never corrupted his loyalty to his village and fellow nin, this corruption lead Seiyuuki to puppetry. Do note, this is not to say that puppetry is evil, but the way Seiyuuki went about it was. Dissecting animals, Seiyuuki needed to know what made them tick. Cats, dogs, bears, apes. Nothing was quite what he wanted however, so at the age of twelve, Seiyuuki Uindo began to murder.
The Inevitable Arc
To kill unnoticeably was hard though. Seiyuuki spent nights up late, working hard on perfecting technique. Sleeping late into the day, his parent’s could feel something was wrong, but who would they tell? They were respected, it was no interest of theirs having the town know their son was acting strangely. His mother, when Seiyuuki was fourteen, had found some of his pajamas, still coated in blood. She died soon after, never the less. What you must understand, is that this was simply the tip of the iceberg. After all, Seiyuuki was still just researching. It was shortly after the death of his mother (her whereabouts still unknown to the authorities) that Seiyuuki finally began to understand. He finally began to grasp the perfection he had been studying. It was immortality, preservance. It was godly in his eyes, he needed to create it, to have it. All this time he had been committing the research in an old farm, far from town. It was time to devise that into his laboratory.
To Birth Demons Arc
It was there, in that inconspicuous barn, out in the middle of nowhere that they poured; Demons, monsters, every last one of them. Seiyuuki would take their bodies, carve away their humanity with a skinning knife and turn them into weapons, no, PIECES OF ART! It was still not enough though, puppet after puppet was created. The wood seemed fragile, their presence not nearly foreboding enough. He needed more, more and more, but, what to do? His fears having become a reality, Seiyuuki quit. He gave up, burned the barn down, there was no hope in the mind of the young Artiste. Falling into a dreary slum, Seiyuuki turned to working at his father’s diamond and gem shop (hence the family’s riches). It was there that he spent the next two years, the dreams of a shinobi doused by artist’s block. To Seiyuuki it was a shame. Until he was sixteen, he spent his days grinding away at diamond after diamond. It was then, then that it came to him. His family had been so supportive, how could he not have realized it.
To Birth Gods Arc
Seiyuuki now knew how to cut the diamond, and where to get it. The only problem was, he only had a vein large enough to create one. He would only ever be able to create one. Taking his time, Seiyuuki moulded a new puppet, the process taking nearly six months to simply get the shape correct. Seiyuuki needed to go slow though, one mistake would mean ever- He slipped! The diamond router gashed the chest of the large mannequin. Seiyuuki was reduced to tears. Yet once again ruin brewed corruption. Returning to his work, Seiyuuki examined the gash, and began to work on edging it out, making it wider. Nearly a year after he started, Seiyuuki finished the puppet. An entire body of diamond, any solid pieces nothing but. The joints were made of steel. But there was still something missing. This time however, the still young puppet master at the age of sixteen, knew exactly what it was. Working in private recesses of his father’s shop, Seiyuuki began to build what he had heard about for years, a heart box. Returning to the abandoned barn, Seiyuuki performed the sickening ritual with precision. His life, and the life of his art, depended on it. It was at that moment of pure desperation, of power lust... that Daedalus was born.
That very same barn was found years later, skinned bodies and human puppets lining it’s burned down interiors, and a laboratory completely smashed to ruin.
The Akatsuki Arc
It may not come to hard to understand for you, reader, that Daedalus had fled Kazangakure shortly after his horrific transformation. It was at this time, now that he was a missing nin, that he had time to hone his others skills. He became known as a destructive monster, as a master of puppetry and seal work. It was somewhere along this period of time when Akatsuki recruited him. From them and their records, he only improved his puppet work further. Their purpose? Seiyuuki cared little for that. He truly had become a monster at this point, and if aiding Akatsuki was what would earn him power, then so be it. However, all great things do not last long as everything eventually falls from grace. Daedalus, at the peak of his talent, was finally defeated by not one, but two Jinchuuriki somewhere near the borders of the Land of Skulls.
The Rebirth Arc
This is not, however, where the story ended. It was not until some fifty years later, that the Death nin discovered Daedalus, his mind in a coma, his body still completely intact. Returning him to the Death village they knew exactly who, and more importantly what, he was. As it was not an opportunity to pass up. Shigakure hired the aid of a skilled Yamanaka, this young girl being particularly talented in memory erasing, and even more skilled in creating false memories. As they attempted to reprogram Daedalus the younger kunoichi went through the most traumatizing incident of her life. It is said she is still in thearpeutical development today. As a good nin should however, she got the job done. Daedalus the Akatsuki member, now believed himself to be a Jounin of the Skull. Not completely convinced the Yamanaka girl hadn’t messed something up during her all but traditional process, the death village assigned assigns constant watch over Daedalus. It is here that we find ourselves today. | |
| | | Senjuzumaki Hokage
Posts : 119 Join date : 2011-01-05
| Subject: Re: The Puppet Master (Finished) Sun Jan 09, 2011 10:55 pm | |
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| | | Cut Hokage
Posts : 126 Join date : 2010-12-16
| Subject: Re: The Puppet Master (Finished) Sun Jan 09, 2011 11:57 pm | |
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